A text selection not only has a beginning and an end, but also an anchor. It is whether I started selecting from the beginning or from the end. It’s not displayed anywhere, but the operating system sets it and accounts for it.

If you select a text from left to right, the selection will be anchored on the left. When you use Shift+arrows, the end of the selection will be adjusted, while the beginning will stay intact. Conversely, if you select a text from right to left, the selection will be anchored on the right and Shift+arrows will adjust the beginning of the selection. This works even if the initial selection is made with a mouse, try it yourself.

In older Mac OS versions this was not implemented well in lists. In Finder, for example, when you clicked a file and then Shift-clicked another one that was above in the list, Shift+arrows would still adjust the bottom end of the selected range, not the top one. That was irritating. At some point Apple fixed it and Finder selections began to work correctly. In text selection, it worked right all the time that I remember.

But even in text, there is still a bug in Mac OS: when Undo restores a selection, it will reset its anchor to left.
At least in Mojave. Select some text from right to left, then try adjusting it with Shift-arrows—everything will work fine, the beginning of the selection will be changed. Then delete the text and put it back with ⌘Z. Now, Shift-arrows will adjust the end of the selection. Why, Apple?

It’s commonplace to praise Apple for their attention to detail. But there is actually a lot of such user interface sloppiness on their part, and always have been. In never occurred to me that there was such thing as a selection anchor when I used Windows, because in Windows, it always worked flawlessly.

This principle seems obvious, but there are too many interfaces that violate it. Thus, a blog post.

If an interface element exhibits some hover effect, the element should be clickable. If an element is clickable, it should exhibit some hover effect. The element’s hover and click areas should match down to a pixel.

Here are some of the mistakes I’ve seen:

• A website main menu is composed of links, each wrapped into a container. The containers style includes a hover highlight. The containers are slightly bigger that the links because of paddings. Within the paddings themselves, the highlighting works, but the links do not.
• A link underlining is implemented so that clicking precisely at the line itself does not cause the link activation even though there is a hover effect. In some cases, it happens the other way around, too: there is no hover effect, but clicking works.
• To dismiss a modal popup dialog, you can just click outside of it. When the dialog is shown, the hover effect of the elements around it continue to work, even though clicking them will just dismiss the popup and not trigger the associated action.
• An element’s action is disabled by a script, but the hover effect remains. For example, a form’s submit button is disabled because of an incorrect value in some field, however is still reacts to a hover as if it worked.
• A large box with a picture and a heading is clickable as a whole and exhibits some hover effect. In the box’s corner, there is a small icon that does something else, say, adds the object to “Favourites”. When hovering the icon, the box’s hover effect remains, even though clicking the icon will not trigger the action, associated with the box itself.

Say you have an interface with a column of checkboxes.

It’s a good idea to simplify toggling of multiple checkboxes. When I press the mouse button on a checkbox and move the pointer vertically while still holding the button, all checkboxes that I’ve crossed this way should switch to the same state.

The “same state” requirement is important. If the first checkbox that I’ve pressed was turned on, all the rest should also turn on, not invert their state (as they would if I just clicked them one by one). If you have Photoshop in front of you, check out how the “eye” icons work in the Layers palette. That’s how it should be.

There’s a nuance. The standard checkbox turns on when you release, not press the mouse button. Moreover, if you press on the checkbox, then move the pointer away and release somewhere else, the standard checkbox would not toggle. To implement the behaviour described above, you’d have to change this and toggle the checkbox immediately on pressing. Usually it shouldn’t be an issue. But if the change of the checkbox’s state affects something else, maybe the change should be applied only after releasing the mouse button.

A couple of weeks ago Hawaii residents got a shocking alert on their phones:

It turned out to be false.

A state employee accidentally sent the message while testing the alert system.

It’s natural to blame the employee for impermissible negligence. But here is the user interface that they were using:

Instead of selecting “DRILL-PACOM BLAH BLAH”, they chose “PACOM BLAH BLAH”.

Firing the employee will not help avoid this mistake in the future, another employee is as likely to err.

The user interface is the problem.

Some commenters suggested adding a confirmation dialog. But confirmation dialogs are only good at one thing: forming the habit of pressing “Yes”. Testing the alert system is a daily routine, so after a couple of days the effectiveness of a dialog will be zero. Even if we require confirmation only for the real alert, but not for the test and drill alerts, the error is still quite likely: people see confirmation dialogs too often and are trained to ignore them. Also, sending even a drill message by mistake is probably not desirable.

Here is how to really fix the interface.

Selecting the right option

In the current interface, the two options that the employee has mixed up, look almost the same: just a line of meaningless all-caps text. Instead, the drill options should be clearly separated from those that send real alerts. The text should be edited for absolute clarity. All abbreviations, parentheses and repeated words (“state only”) should be removed.

Ideally, what should remain is the actual text that will be sent, and to whom it will be sent:

If the employee wants to send a real alert, they have to explicitly choose that. Then everything should look really serious:

Undoing the wrong action

But most importantly, undo should be implemented.

How can you undo sending of a state-wide alert? Easy, the same way you undo sending an email in GMail:

For a short period of time, the mail is not really sent, giving the user the chance to correct the accidental mistake.

After the employee selects to send an alert, the next screen should say what has happened in a way that makes the employee’s job look completed, but still leaves the option to prevent the actual alert:

Notice how there is no confirmation button: there is nothing to confirm, the command has been accepted without confirmation. And since there is no way to close this screen before the timeout is over, the habit is not being formed to do it.

***

The problem with the modern world is that there is this stupid separation of “UI” and “UX” design, in which the important stuff gets lost. Good user interface design used to be about understanding how humans operate and helping them do their job better. And now, it’s undefined.

“UI” designers are now supposed to be thinking about beautiful buttons, fonts, and animations. This is too narrow. It’s hard to justify this work if you are designing software for use by a few government employees. “UX” designers are now supposed to be thinking about the user experience, whatever that is. This is too abstract. Caring about how “satisfied” or “engaged” the user is, again, not something a government could afford to think about. The “UI/UX” separation is bullshit. Between “UI” and “UX”, someone has to do the actual work.

See also:

• Why I don’t call myself a “UI/UX” designer

Sources of images:

• Hawaii residents received false emergency alert about an incoming missile. The Verge.
• Pandemonium and Rage in Hawaii. The Atlantic.
• Hawaii Distributed Phony Image Of Missile Warning Screen. Honolulu Civil Beat.
• Bad design in action: the false Hawaiian ballistic missile alert. Jason Kottke.

There is an accessibility setting on the iPhone called “Reachability”. When you enable it, you can double tap the Home button or swipe down the Home indicator on the iPhone X to make the screen content move closer to you fingers so that you could tap it.

In The revolution in the mobile user interface I wrote that you should flip the UI so that all the meaningful controls end up on the bottom. But what if you have a full screen of tappable content? Then let the user overscroll it!

Look at this video for examples and read the explanation below:

1. This is how Reachability works on the Home screen of the iPhone X. App icons just move down so that you can reach the top ones. Notice though, that visually it looks as if you just scrolled the screen down.
2. This is what happens if you actually try to scroll the screen down. The icons blur away and the Search interface appears. But wouldn’t it be better if it actually just scrolled the icons down, revealing the search bar above them? This way, you wouldn’t even need Reachability to use the Home screen with one hand.
3. This is how Reachability works in Settings. The whole screen just shifts down, letting you tap user account settings or Airplane mode.
4. This is what happens if you actually try to scroll the screen down. Stuff just moves down, but unfortunately bounces back when you release your finger. But wouldn’t it be better if it actually just scrolled the items down even if there is nothing else above? This way, you wouldn’t even need Reachability to use lists.

Reachability should not be an accessibility setting, but a natural property of the design. If you’ve already flipped the user interface of your app, now it’s time to implement the overscrolling.

Here is my talk from FDConf, Minsk about feedback in the user interface:

All screenshots for this post were made by Rakhim Davletkaliev.

About:

Menu

File. It’s interesting that it was F2 to save, F3 to open, even though the order is already New, Open, Save — as on the GUI systems:

Edit. These keyboard shortcuts for clipboard were much better than Ctrl+K,K and Ctrl+K,B from Turbo Pascal 5.0:

Search:

Run:

Compile. It’s always bothered me that Run, which you always wanted, had a more complex shortcut (Ctrl+F9) than Make (F9), which you never wanted by itself.

Destination: Memory. An interesting menu item where the value is displayed inline.

Debug:

Tools:

Options:

Environment (we’ll get to the windows behind these items later):

Window:

Help:

File, Edit, whatever, Window, Help — Borland has copied this standard from the GUI OSes even though they didn’t have to. It was nice.

Shortcut menu:

File dialogs

Open:

Save:

Change directory (in MS-DOS, there always was a current directory):

Printer setup:

Window management

Cascade mode:

Notice how the active window has a double border.

Tile mode:

Window list:

No windows. Notice the background:

Working with code

A simple program:

Parameters:

Arguments (what is parameters, then?):

Compile-time error message:

Compiled successfully:

Information:

The full-stop at the end of a program is a nice quirk of Pascal.

Go to line number:

Find:

Message box:

Notice that the main window still has the double border when a dialog is open.

Replace:

Find procedure:

Debugging

Step-by-step:

Add breakpoint:

Breakpoints:

Call stack. Not a dialog box, so the unfocused main window gets the single border:

CPU:

Add watch:

Watches:

Output:

Evaluate and Modify:

Messages. I never knew what Messages were, and neither did the school teachers. And you couldn’t have just googled it:

Help

Pascal help:

The language syntax:

No search. Functions organised alphabetically in strange groups:

Error messages, by number:

There also was Turbo Help, the help system available from dialog boxes. For mysterious reasons it looked very different from the main Help:

Setup

Preferences:

Editor options. Editors of 2017 have so many options that you need search just for them:

Mouse options. This was not system-wide:

Startup options:

Colours. My favourite window:

Compiler options:

Memory sizes:

Linker:

Debugger:

Directories:

Tools:

Previous exhibit: Norton Commander 5.0

Someone has tweeted this and got several retweets:

What they mean is this: when the content is still, tapping the screen is interpreted as a tap, but when the content is in motion, tapping the screen just stops the motion. So is the behaviour modal? No, here’s why.

Most people think that an interface is modal when it has modes, i.e. when same user input produces different output depending on the state of the interface. However, that’s not the definition.

Let’s read Jef Raskin carefully:

An human-machine interface is modal with respect to a given gesture when (1) the current state of the interface is not the user’s locus of attention and (2) the interface will execute one among several different responses to the gesture, depending on the system’s current state.

Most people’s understanding includes only the (2), but not the (1). But they both equally matter. Perhaps, Raskin didn’t name the thing well, but we have what we have.

You unlock your iPhone and tap Messages:

But just as you are tapping it, you notice that it’s actually Shazam:

Oops, you are on a wrong page of your home screen.

In this case, launching of Shazam instead of Messages is a mode error: your gesture (tap in the top left corner) produced the wrong output depending on the current state (the page number), which was not your locus of attention. So, the iPhone’s home screen is modal.

Now let’s say you are in Contacts and tap the bottom left corner for Favourites:

Is there any chance you actually meant to go to a previously visited web page?

The gesture is the same (tap in the bottom left corner), and it produces different outputs depending on the current state (the active app). But here, the app is your locus of attention: you are fully aware whether you are looking for a contact or browsing the web. That’s why a modal error is not possible here, and this interface is not modal.

If we get back to iOS scrolling, it now becomes clear that it is not modal. When the scrolling animation is playing, it is the user’s locus of attention. The user is fully aware of the interface’s state: they are looking at the moving content. So the fact that the tap is interpreted differently during this animation is not a surprise and doesn’t produce a mode error.

All screenshots for this post were made by Rakhim Davletkaliev.

The main interface

The canonical view of two directories in the Left and Right panels:

The right panel is active — you see the cursor and the highlighted path in the title. Use arrows to navigate the files. Change currently active panel with Tab.

Alt+F1 or Alt+F2 changes the displayed volume in Left or Right panel respectively:

MS-DOS uses drive letters for volumes, and the letters A and B are reserved for the floppy drives. Most computers had just one, and then the main hard drive was C.

Hide the panels with Ctrl+F1 or Ctrl+F2:

In MS-DOS, the filename’s length is limited at 8 characters, and the extension, at 3. The dot between the file’s name and extension is not shown. Unlike the command prompt, Norton Commander displays filenames in lowercase letters and directories in all-caps. There is a special halftone pattern separating the extension of the system files like Io.sys and Msdos.sys (also they have their first letter capitalised).

Ctrl+O hides both panels, for work with the MS-DOS prompt:

The main menu

The main menu is the one displayed on the bottom, with keys F1 to F10 mapped to the most-used functions.

F1 for Help was a standard for many MS-DOS programs. I’m not sure if Norton Commander originated it.

F2, User Menu. The items can be programs for quick access. Here, the User Menu is empty:

The user has to edit a text-based configuration file to add items to this menu (press F4 while in this F2 menu):

The main panels are blue, the menus are cyan and the dialogs are grey. Unless they are error messages:

F3, View. Opens text view of the currently selected file:

Of course, for executables it shows “garbage”. But as far as I remember this version has the ability to set up external file viewers, so you can make it display images as actual images.

F4, Edit:

See the Mark item in the main menu inside the editor? It has something to do with a clipboard. There was no system-wide clipboard, of course, and the programs that had this feature used very different keyboard shortcuts for it. In Turbo Pascal 5.5, I remember, there were crazy combinations like Ctrl+K,B and Ctrl+K,K.

F5, Copy:

The Copy command opens the Copy dialog where the user enters the destination path. The input is pre-populated with the name of the directory in the opposite panel, and normally the user doesn’t edit it.

F6, Rename or Move (shortened to RenMov in the menu line):

Why Rename or Move is one command? Because from the system point of view it’s the same: while you are within the same drive, it just changes the full name (i.e. including the path) of the file. Again, the input is pre-populated with the path of the directory in the opposite panel, so just press Enter to move there. Or type a name instead of the path to rename the file in-place. Or add the new name to the end of the path to move and change name at the same time.

Moving between volumes involves actual copying and then deleting the original, but it was also done with this menu.

F7, Make Directory:

Interestingly, the window has no confirmation button, unlike the previous ones. Just press Enter. Also notice that in the main menu bar it’s called Mkdir, not MkDir. Why? Probably, because that was the name of the MS-DOS system command to make a directory.

F8, Delete. No question mark:

Before invoking the file operations like Copy or Delete, you could select many files with the Insert button, and they would display in yellow:

When files are selected, the bottom line changes to reflect this state.

F10, Quit:

The pull-down menu

The top menu, or the “Pull-down menu” is shown when the user presses F9 (or clicks the top line of the UI, if your computer has a mouse).

The Left menu sets up the Left panel. You may see many options of what to display in the panels, then how to sort it and more:

The Files menu lists many elements that have nothing to do with files, including Quit — not dissimilar to how the File menu is used in today’s applications:

Disk:

Commands:

Right, same as Left:

Panels setup

As you see in the menu, the panels could display a Brief or a Full view. The Brief view just shows the files, in three columns (as in the previous screenshot). The Full view shows one column of files with details:

In this mode, each line looks exactly like the bottom line in the panel, so why not just remove it to show two more files?

You could also set up file filters:

Use a panel for file preview:

Or for search results:

Or for item information. Directory:

File:

Go to file (in the current directory) by typing a couple of letters of its name:

Other dialogs

Compress:

Find File. The dialog windows that have other dialog windows inside, are cyan, not grey — for contrast:

The inputs are shown with square brackets and dots between them. The focus is shown with a black background. Advanced search options — this window is grey:

Notice how checkboxes differ from radio buttons.

History:

NCD (Norton Change Directory? I’m not sure), a fancy way to navigate the folders on your disk:

Synchronise directories:

Format diskette:

Copy diskette:

Label disk:

Commander Link:

Commander Disk Cleanup helps find files to delete:

Honestly, I don’t remember this feature at all (but I didn’t use Norton Commander at that time because there was DOS Navigator, which is a whole different story).

Found something. Here, files are displayed with the dots in the names:

System information

System information:

Memory summary:

DOS memory blocks:

CMOS values:

Configuration

Now let’s look into the configuration dialog. Notice how the controls are organised and grouped:

By the fifth version, Norton Commander got colour schemes:

The palette was limited to 16 colours. There was no way to make the colours darker in the shadows, so to simulate the darkened cyan-on-blue or white-on-cyan the applications of the era used grey-on-black. I’m not sure, but I guess Norton Commander has borrowed this visual style from Turbo Vision. The earlier versions had no shadows. If you go back to the Main menu section, you’ll notice that the help window has no shadow for some reason.

EGA Lines is a mode where twice as many lines of text fits the screen. Nobody I knew ever used it:
.

Fun fact: this post has 57 full-screen full-quality screenshots. Their aggregate size is 271 kilobytes.

These are words that usually signal problems with the user interface.

Main and secondary

Variants: regular, general, basic, advanced, extended, miscellaneous, more
Examples: main section, basic options, advanced plan, miscellaneous settings

The line between “primary” and “secondary” is not defined. The user is looking for a particular thing and has no idea whether it’s “main” or “advanced”. “More” is usually a graveyard of elements that the designer didn’t find place for.

Useful

Variants: important, notable
Examples: useful hints, important information, notable changes

When you nominate some stuff important, this means all the rest is unimportant. Instead of stating the usefulness, explain the benefit: “How to start snowboarding”.

Article

Variants: post, entry, publication
Examples: add entry, next post

These, again, name the type of the content. The words can be useful among the editorial staff, but meaningless for the reader: there are no newspapers with an “articles” section.

Catalogue

Variants: list, archive
Examples: shoes catalogue, news archive

There’s no need to signal that a list is following. Just put the list with an informative heading: “Shoes”, “News”.

Click here

Variants: enter, select, go, follow, open, launch
Examples: click here to open, enter password, select country, follow the link

There is no need to explain how to use buttons, links, input fields and other standard user interface elements. Links should just name the places they lead to: “iPhone 7 review”. Form fields should just name the content: “Password”, “Country”.

Form

Examples: application form, inquiry form

A form is a table of fields to fill. The word “form” just names a type of screen, but the user already sees that it’s a form. Name it with the benefit in mind: “Job application: designer”.

Required

Variants: necessary, must, please
Examples: required field, you must agree, please specify the phone number

The user doesn’t care if a field is required. If the form doesn’t work without it, they will put in some garbage. Instead of demanding or begging, explain the benefit: “We will call to coordinate delivery time”.

Operation

Variants: process, transaction, request, step, state, module, function, data
Examples: process is not responding, bad request, step 5 of 12, module not installed, wrong data format

These words are handy to describe how something works technically. But there is no point in using them in the user interface: they just complicate the matters for the user. Write as a human being: “Spell check available in paid version”, “Due to an error, the app needs to re-open”.

Authorisation

Variants: authentication, authentification, identification, session, limit
Examples: please authorise, session timeout

Even programmers mix up the autho-whatever-s constantly. Use the verbs “to enter” or “to sign in”, or, even better, name the thing that’s inside: “Shopping history”.

Success

Example: operation completed successfully

If operation hasn’t completed successfully, it hasn’t completed, period. Write what’s been done: “Money sent”, “Update installed”.

If you know why a particular word from this list is not good, but in your case it makes perfect sense, leave it.