A great article about how people don’t make sense anymore:
We have forgotten how to use the real names of real things. Like doorknobs. Instead, people talk about the idea of doorknobs, without actually using the word “doorknob”. So a new idea for a doorknob becomes “an innovation in residential access”.
Not a new thought, but well written.
John Gruber on irrelevance of tech specs today:
Spec-based reviews of computers and gadgets are inherently flawed, a relic of an era that’s already gone. Movie reviews are about what the movie is like to watch. Is it enjoyable, is it entertaining, does it look and sound good? Imagine a movie review based on specs, where you gave points for how long it was, whether the photography is in focus, deduct points for continuity errors in the story, and then out comes a number like “7,5 / 10”, with little to no mention about, you know, whether the movie was effective as a piece of art.
High tech specs sometimes say just how bad a device is.
CPU clock speed and amount of RAM is a measure of device’s ineffectiveness. Just think about a 350 hp car that gets to 60 mph in 30 seconds. Something is obviously wrong with it.
If some device has too much memory or too fast processor, two things follow: 1) it costs more than it could have, since you pay for unnecessary hardware; 2) the battery life is worse than it could have been, since all this hardware consumes power.
A company should tell us how awesome and amazing “as a piece of art” their new device is, and then add, just for the geeks, that it has just a single-core 500-MHz processor and 128 MB of RAM. Wow, such a cool device with specs this low? That might be interesting.
Following my post on the topic in Russian, Opera’s Vadim Makeev asked me to reproduce it in English so that other guys from Opera could fully enjoy it. So here are some screenshots from my dear Opera browser, which I’ve been using for years, and have just switched from to stupid Safari a couple of days ago. Safari sucks, as well as any other browser, but at least it looks good.
Here’s how Opera says it has to update:
Everything is just awesome. The copy. The order and positioning of buttons. The very existence of Help button. But the winner is the crippled glow of “Install Now”.
And here’s the update process:
This one is also great. The download speed is specified up to a tenth of a kilobyte. The progress bar has a custom glare. The percentage of progress is in the middle and is displayed as black on dark-blue, again with high precision. “Time remaining: 1 second” instead of “1 second remaining”. Charming selection of buttons, with “Cancel” as the main one.
But the sweetest treat here is that this window is resizable:
This one is from some other version (notice how the weird button is called Minimize To Toolbar here).
But update is not the only thing Norwegian designers are keen at. Here’s a window stating that Opera has crashed:
All measures are taken to make sure that the news freaks out the user completely. Nothing fits anywhere. The radio-button labels are centered (they should patent it!).
By the way, the default button is Send Report, which is an outrage on humanity: a browser crash is no fun in the first place, and then I have to send some crappy report? It’s kind of obvious that if you want a report, you just send it in the background and shut up. If you click the button, a page opens in the browser to imitate report sending, but in reality nothing happens. I’ve typically waited for some time, with a maximum of 3 to 4 minutes, with no success. Maybe by design it needed 15 minutes to send the report, who knows? Anyway, I got used to clicking Do Not Send Report.
The icon is nifty, but if you think about it, they have designed a custom icon for a browser crash. Crashes are important aspect of the user experience with Opera, so I guess that sort of makes sense.
Also, Opera is a unique application. After crashing it manages to do one impossible thing. It restarts and a new Opera icon appears on the right side of the Dock (while the old ones remains in the Dock). The new icon starts jumping happily, while the one to the left stays calm. How’s that even possible? I have no clue, but apparently Opera does. Because of this, after every crash it is necessary to remove the old Dock icon and then move the new one into its place.
One day the new icon didn’t appear immediately, so I clicked the old one. It started jumping, and then the new one appeared, also jumping, of course. That was real fun, since they both started to bombard me with error boxes, saying something about conflicting resources, and then they hung so I had to force quit both. Epic.
But hey, Opera has “Unite”.
Samara is a city on the Volga river in Russia.
There are reversible lanes here. Also, notice the sign on the very right:
Street name plates have two names:
One is historical, the other one is current:
Trolleybus route plate utilises a beautiful font:
Tram and trolleybus authority:
An anchor:
Entrances to a bath-house and a laundry:
The artists’ society:
The house is barely standing:
The pictures are from the trip in October, 2010.
Can’t help but envy those who see this beauty on their way to work:
The buildings with these plaques are also gorgeous:
A ceiling in a shopping mall:
***
Suits ride motorcycles here:
Local police drive Alfa-Romeos:
The trams are adorable:
Or skewed:
Or just have six bellows:
People sew in Milan. Even a fountain is stitched to a square:
***
Italian is easy to understand:
Bank:
Patriotism:
The pictures are from the trip in July, 2010.
On shall and will:
In formal writing, the future tense requires shall for the first person, will for the second and third. The formula to express the speaker’s belief regarding the future action or state is I shall; I will expresses determination or consent. A swimmer in distress cries, «I shall drown; no one will save me!» A suicide puts it the other way: «I will drown; no one shall save me!» In relaxed speech, however, the words shall and will are seldom used precisely; our ear guides us or fails to guide us, as the case may be, and we are quite likely to drown when we want to survive and survive when we want to drown.
William Strunk jr. and E. B. White. The Elements Of Style.
It’s always appeared to me that shall has a tinge of “should”.
Highly recommended reading.
